It’s just that simple.
The Negro Celebrity has ZERO perspective on this very simple truth, nor does he want one.
How do we know this?
Because he is always doing something he has to say “sorry” for, and the only reason he even bothers to apologize for THAT is the negative impact not apologizing would have on his brand and his bottom line.
It’s NOT that he doesn’t know what he’s doing is wrong; as long as those checks don’t bounce, however, he couldn’t give a damn.
I HAVE YET TO SEE A JEWISH CELEBRITY making fun of ANY aspect of the German Holocaust the way so many of these Negroes have made fun of their own. I think I can say with a reasonable degree of certainty Steven Spielberg, Jerry Seinfeld, Natalie Portman, et al. WOULDN’T DARE joke about Anne Frank performing sex acts with a Nazi for a “nicer” gas chamber, or anything else equally ludicrous.
The Celebrity Negro, on the other hand, mistakenly believes that since he has achieved so-called success in spite of dealing with the harsh realities of Capitalism and Racism, he is somehow “special” and “different” from the rest of us.
In the Celebrity Negro’s warped brain, being “different” FROM us REQUIRES being indifferent TO us, and he does so with a SICKENING abandon that would give even a bloodthirsty sociopath pause.
Let’s look at some examples:
We’ll start with Russell Simmons’ Harriet Tubman “comedy” skit debacle first, as it is (at least at the time of this writing) the most recent incident. Simmons himself called the “Harriet Tubman Rape Tape“ the “funniest thing” he had ever seen; he was ONLY sorry for what he said and did because the negative response was SWIFT, OVERWHELMING, and TOO LOUD TO IGNORE.
WHY was THAT, of all things, funny to begin with? What’s funny about the typical African American female slave spending her entire existence living under the CONSTANT THREAT of being beaten, sold, and/or raped?
HOW does THAT script now get flipped to make rape seem like a “power play”?
Simmons does not get a “pass” by claiming he was only doing what Dave Chappelle had done on Chappelle’s Show (I’m not suggesting Simmons has made that comparison. I AM saying, however that at some point, it WILL come up. Mark my words.).
By NO stretch of the imagination should Simmons EVER consider himself to be on Dave’s level.
Chappelle is an INTELLECT who knew how to use satire (the use of irony, sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice, folly, etc.) to illustrate the impact racism has had on our people. His “Black White Supremacist” sketch was funny, not because it poked fun at slavery and racism for cheap laughs, but because it told the story of the extent to which a SLAVE-MINDED NEGRO will go to please his owners, TO THIS DAY.
The irony in this comparison is, through his actions, Simmons PERFECTLY illustrates Chappelle’s point.
Our next Rapist’s Advocate is Rick Ross, the SAVAGE who wrote a song that basically outlined the steps a sexual predator should take when looking for a girl to drug and – as Ross called it – “enjoy” (read: RAPE).
It was ONLY when the (mostly white) Feminists demanded Reebok deliver Ross’ head as recompense for the pain he caused that he apologized for what he said; not unlike Simmons, Ross also insisted on finding a way to justify his actions, calling the situation a “misunderstanding” and “misinterpretation”.
“Put molly all in her champagne/ She ain’t even know it / I took her home and I enjoyed that/ She ain’t even know it.”
Now that I’ve read it, I can TOTALLY see how that could be “misunderstood” and “misinterpreted”.
Boy, don’t I feel STUPID.
Finally, we have the Necrophiliac Pedophile, Lil’ Wayne.
In case you missed it, Wayne upset quite a few of us “squares“ when he said in his song “Karate Chop” (REALLY?) he’d “beat that p***y up like Emmett Till”.
For those who don’t know, Emmett Till was a 14-year-old African American boy who was BRUTALLY murdered by the White Citizens’ Council of Money, Mississippi for supposedly “whistling” at a white female (he didn’t). Till was SAVAGELY beaten, and had one of his eyes gouged out before he was finally shot in head and tossed in the Tallahatchie River, his body weighed down by a 70-pound cotton gin fan so that it could never be found.
THIS is the person whose MURDER Wayne chose as a metaphor for SEX.
Let that sink in for a minute…
An INNOCENT CHILD, whose ONLY crime was “Being Black in the Wrong Place” is executed by RACISTS, yet this CLOWN believed it was “okay” to compare THAT to getting his freak on.
When Till’s body was fished out of the river, he was UNRECOGNIZABLE.
I’m guessing that’s why Lil’ Wayne chose him: He felt that Emmett Till’s post-mortem face was the most “accurate” representation of his sexual prowess.
I’m not even going to comment on how CREEPY that is.
I could go on, and ON, but I think you get the point: A Negro who’s allowed to gain access to the Trifecta of Negro Doom (Money, Materialism, and Status) without FIRST coming into a Spiritual and Cultural awareness of who he is, is nothing more than an OVERSEER who’s been “promoted” from being a “regular” SLAVE.
Such a Negro is nothing more than an INDIRECT TOOL for White Supremacy, and is BENEATH CONTEMPT.
Psalms 82:5 says: “They know not, neither will they understand; they walk on in darkness. All the foundations of the Earth are out of course.”
Ain’t THAT the truth?